Congratulations 2025 Orchestra and Brass Band Prize Winners

Each year on our residencies, we celebrate our musicians who display the most promise and dedication. The recipients of each award is decided by the sectional tutors during the residencies.

National Youth Arts Wales would like to express its gratitude to those who have donated money for the creation of these awards.

National Youth Brass Band of Wales

• The John Childs Memorial Trophy

Awarded to the most promising player at this year’s residency

Carys Wood

• The David Mabey Prize

Awarded to the most improved player on the residency

Isla Hawkins

• The Principal Cornet Trophy

In Memory of Tony Small

Stephanie Jonas

National Youth Orchestra of Wales

• The Haydn Davies Award

Awarded to the most promising player still in education

Noah Harcourt-Smith

• The Irwyn Walters (Friends of NYOW) Awards

Awarded to the two most promising string players at this year’s residency

Tristan Xuan and Jemima Soper

• The Wil Jones Prize

Awarded to the most promising woodwind player at this year’s residency

Sam Finch

• The Goronwy Evans Award

Awarded to the most promising brass player at this year’s residency

Tom Evans

• The Tony Moore Harp Prize

Awarded to the most promising harpist at this year’s residency

Heledd Wynn-Newton

• The Tony Moore Percussion Prize

Awarded to the most promising percussionist at this year’s residency

Carys Underwood

• The Welfare Team Prize

For overall contribution to the Orchestra

Gwydion Rhys

Photo by Kirsten McTernan

Your Stage Awaits! NYAW 2026 Music Auditions Now Open

Auditions are officially open for the 2026 National Youth Brass Band, Choir, and Orchestra of Wales. Apply now for your chance to perform alongside Wales’ finest young musicians! 
 
What can you expect as a NYAW member? 

• Receive expert training from top musicians 

• Perform in fantastic venues across Wales 

• Work with internationally renowned conductors 

• Make Wales proud by representing your country 

• Make life-long friends and lasting memories! 
   

Your Stage Awaits! What are you waiting for?

 Audition Deadline: 12 October 2025 

For more information, visit our website or follow us on social media @nationalyouthartswales for updates. 

Photo by James O’Driscoll (2025)

Next Generation of Welsh Performers Are Set To Embark on a Once-in-a-Lifetime Training Experience

This August, fifty young performers from all over Wales will be joined by professional practitioners from within the world of stage and screen for the National Youth Theatre of Wales (NYTW) 2025 summer residency. 

The performers and theatre makers (aged between 16 and 22) will have the exclusive opportunity to get a taste of making work for stage and screen through to scriptwriting, devising work. They will also be delving into other skills and roles within the creative industries, such as audio description, integrating accessibility into productions. Later this year, the NYTW members will explore digital immersive storytelling in the second residency at the Wales Millenium Centre, Cardiff, and heading up to Mold for a further four-day residency with partners Theatr Clwyd later this year. 

Supported by S4C’s Yr Egin - Carmarthenshire's Creative and Digital Centre - the 2025 summer residency will offer a deep dive into the world of performance, both on and off the stage. With collaboration from Theatr Cymru and Ffilm Cymru, the programme will give members access to a vibrant training ground led by some of the industry’s most exciting practitioners, from stage directors, sound designers, movement directors, stage managers, to voice directors, as well as an access and audio description specialist. 

The creative team during the residency include: Playwright and Director Jennifer Lunn, Head of Voice for Acting at RWCMD, Alice White, Movement Director and Choreographer; Annie-Lunnette Deakin-Foster (who has worked extensively with Theatr Clwyd and the Royal Shakespear Company) and former NYTW alumni and Theatr Cymru Artistic Director, Steffan Donnelly, who will be giving an insight into the rehearsal room of upcoming production, Romeo a Juliet. Ffilm Cymru will also be delivering workshops and highlighting the training pathways within the screen industries in Wales.  

Gruffydd Roberts at S4C’s Yr Egin said: “We are extremely proud to work in partnership and support the National Youth Arts of Wales again this year. Nurturing the talent of the future is one of Yr Egin's most important objectives and we are committed to playing a part in the creative development of artists and young people in our county and our country. Welcoming all the young people to the centre to develop and work together will be extremely exciting and we very much look forward to welcoming them once again.” 

Members will hone essential performance skills and industry knowledge in a uniquely supportive and friendly residential experience, creating an opportunity for young performers to learn, work and socialise together in a bilingual environment, supported by an experienced welfare team. 

The programme is supported by Creative Wales and aims to deliver five training strands:  

• Stage and Screen Craft 

• The Joy of Making  

• Pathways+ 

• Backstage and Screen Skills  

• Lab 50  

National Youth Theatre of Wales’ Producer and Head of Theatre Megan Childs, says: 
“The best part of my job is the thrill of seeing brilliant professionals share their craft with young people who will fuel the future of arts in Wales. This year’s programme will be as inspirational as ever for the NYTW members and practitioners alike. Having such strong support from partner venues and companies who throw open their doors and practice to our committed young NYTW members will guarantee a unique NYAW professional residency experience of discovery, creation and play. We can’t wait to get started…” 

Beyond workshops and creative sessions, the residency is a chance to build friendships, collaborate, and be part of a warm and supportive community. Members will also gain mentorship from returning NYTW alumni, supporting the next generation from within. 

NYTW 2025 member, Elliea, says: “I am most excited to continue creating connections and explore theatre from a unique and Welsh lens. The most exciting thing about this project is how it brings every area of Wales together and unites us in something that we each enjoy, being art and expression.”  

Stay tuned as we follow the journeys of these vibrant, young performers. Follow NYTW on Instagram and our member-led TikTok account. 

Summer of Music 2025: NYBBW and NYCW Tours Begin This Week!

This week, the stage belongs to Wales’ brightest young brass and vocal musicians as the National Youth Brass Band of Wales and the National Youth Choir of Wales set off on their 2025 summer tours. 

Fresh from the triumphant performances of the National Youth Orchestra of Wales earlier this month, the spotlight is now on these two exceptional youth ensembles, bringing their energy, skills and passion to concert venues across Wales. 

Join us for National Youth Arts Wales’ Summer of Music 2025 - from the soaring orchestral sweep of the NYOW, to the brilliance of brass, and the splendour of choral music. 

Don't miss your chance to witness the next generation of Welsh musical excellence - book your tickets today! 

National Youth Choir Wales 2025 summer residency

National Youth Brass Band of Wales – Concert Tour 2025 

NYBBW Alumnus and Musical Director of the 2024 Championship Brass Band Flowers, Paul Holland, returns to conduct his former Band in a dazzling programme full of fantastic music that promises something for everyone. Joining Paul and the NYBBW will be the brilliant young percussionist Jordan Ashman - winner of the 2022 BBC Young Musician of the Year 

• 21st August @ 7.30pm – William Aston Hall, Wrexham 

• 22nd August @ 7.30pm – Aberystwyth Arts Centre, Aberystwyth 

• 23rd August @ 2pm – The Riverfront, Newport 

National Youth Brass Band Wales 2025 rehearsals

 National Youth Choir of Wales – Concert Tour 2025 

Experience the power of voice in harmony in spectacular settings. Under the inspiring direction of their conductor Tim Rhys-Evans, this extraordinary choir of young Welsh talent will deliver a breathtaking performance.

• 23rd August @ 7.30pm – St Asaph Cathedral, Denbighshire 

• 24th August @ 3pm – St Fagans National Museum of History, Cardiff (Free Entry) 

• 25th August @ 3pm – Brangwyn Hall, Swansea 
  

Tickets for our Summer of Music 2025 concerts are on sale via nyaw.org.uk/whats-on 

The Youth Arts Gap: Creative Opportunities Are Essential For Teenagers’ Mental Health

On International Youth Day, National Youth Arts Wales (NYAW) is joining the global call to empower young people.

This year, we are highlighting the stark correlation between limited access to youth arts programs in parts of Wales, and the rising tide of mental health challenges among our teenagers. From Denbighshire to the Valleys, where arts funding is often scarce, young people are missing out on the wealth of creative opportunities that should bolster their wellbeing, resilience and futures. We are calling on the Welsh Government to bridgethis youth arts gap and ensure every Welsh teen has the chance to thrive.

Teenagers today face unprecedented mental health challenges. According to a 2021 UNICEF report, 13% of 15–24-year-olds globally experience mental health disorders, with anxiety and depression leading the way. In Wales, the picture is even worse. A 2023 Welsh Government survey found that 20% of secondary school students reported symptoms of anxiety, with rates higher in economically disadvantaged areas like parts of the South Wales Valleys and rural North Wales. During NYAW’s projects throughout Wales, we are regularly told by primary and secondary school teachers that the figures are even worse, with many estimating that over a third of school children have mental health issues.

The region with the highest reported mental health issues (often marked by underfunded schools and limited community resources) are also where the arts are least accessible - yet most needed. In areas with low arts investment, the absence of creative outlets leaves young people vulnerable, exacerbating mental health struggles.

At NYAW, we’ve seen firsthand how creativity transforms lives. We have a regular series of programmes and project aimed to reach young people in these “cold spots” of Wales. These include Strings Attached, Cor Skills, dance and theatre workshops, and (coming soon) our new Creative Futures project. We are working closely with partners including Public Health Wales, and their landmark Hapus programme.

The Evidence

A 2019 World Health Organization review of over 3,000 studies found that arts participation(whether through music, drama or visual arts) reduces depression, anxiety and stress while boosting self-esteem and social connection. For teenagers, whose brains are still developing, creative activities are like mental exercise, strengthening the prefrontal cortex, which governs problem-solving and emotional regulation.

A 2020 study in the Journal of Youth and Adolescence showed that teens engaged in creative pursuits, like writing or performing, reported lower stress levels and greater confidence. In Wales, where arts funding varies widely by region, the impact is clear.

Urban centres like Cardiff, Monmouth and Swansea offer robust arts programs, with schools and community centres hosting choirs, theatre groups and art classes. But in rural areas like Denbighshire or deprived communities in Blaenau Gwent, arts programmes are often the first to be cut when budgets tighten. Per capita arts funding in some rural local authorities is less than half that of urban areas, leaving teenagers in these regions with fewer opportunities to engage creatively.

This “Youth Arts Gap” has real consequences. A 2019 study in Psychology of Aesthetics, Creativity, and the Arts found that teens with access to arts programs had better mental health outcomes, including lower rates of anxiety and depression. In contrast, areas with limited arts access (often overlapping with economic deprivation) see higher incidences of mental health issues. In Wales, this disparity is stark: communities with the lowest arts investment, like parts of the Valleys, report some of the highest rates of youth mental health referrals.

Voices from Welsh Teenagers

The absence of arts opportunities isn’t just a statistic - it’s a lived reality for Welsh teens.

Across Wales, teens in underserved areas tell us that creative outlets, when available, are lifelines for navigating the pressures of adolescence. These opportunities strengthen social bonds, countering the isolation that often fuels mental health struggles; as well as benefiting their education, physical health and sheer happiness.

Equity and Access

The Youth Arts Gap in Wales is inseparable from broader inequalities. Low-income and rural areas, where arts funding is sparse, also face challenges like limited mental health services, long NHS waiting lists and overstretched schools. A 2022 study in The Lancet Public Health highlighted that socioeconomic deprivation, common in these regions, amplifies mental health risks. When arts programs are absent, teenagers lose a proven tool for coping, leaving them more vulnerable to stress and disconnection.

At NYAW, we believe every teenager deserves access to the arts, regardless of their postcode. Our mission is to provide world-class creative opportunities - but we can’t do it alone. Systemic change is needed to ensure equitable arts funding across Wales. The Welsh Government’s Wellbeing of Future Generations Act calls for a healthier, more equal nation - investing in youth arts may be the most direct way to achieve this.  

National Youth Arts Wales urges policymakers, educators and communities to prioritise arts investment as a mental health strategy for Welsh teenagers. The arts are not a middle-class luxury - they’re a necessity for teenage wellbeing, for young people of every background. At NYAW, we’re committed to closing the Youth Arts Gap, but it takes collective action. This International Youth Day, let’s ensure every Welsh teenager has the chance to create, connect and flourish. Please join us in advocating for a Wales where no young person is left without a rich creative life.

Evan Dawson

CEO, National Youth Arts Wales

12 August 2025

Celtic Collective Dance Partnership Brings Together Rising Talent from Wales and Scotland

National Youth Dance Wales (NYDW) and National Youth Dance Company of Scotland (NYDCS) are proud to continue their Celtic Collective partnership - a dynamic cultural exchange that connects young dancers from both countries through collaborative residencies, performances, and development opportunities.

This year, the partnership sees an exchange between two exceptional young dancers: Eira Diamond from Gwynedd, North Wales, who is studying Maths at Edinburgh University, and Ross Hoey from Glasgow, Scotland. The exchange forms part of a wider effort to build connections between young dancers across the Celtic nations.

Ross said: “My experience has been great coming down to Wales, the stuff is so intense makes you nice and strong and you get so many different teachers, different experiences and movement styles that really broaden your movement.”

Eira joined NYDCS in 2024, following 2-years as a NYDW member, participating in the rehearsals and performances of Weave, choreographed by Anna Kenrick. Since September, she has toured with the company to Stirling, Belfast, and Leeds. Eira returned to Wales to join NYDW’s 25th year company for an intense two-week residency at the Royal Welsh College of Music and Drama in Cardiff earlier in July.

Eira said: “My experience in NYDCS has been amazing. I think for me it's really, really important to branch out your connections outside of just your local area. so obviously I've danced with these Welsh dancers a lot, so it's really great to go and expand those horizons, meet new young dancers who are just as passionate as I am.

It's also been great to have a lot of opportunities to perform because that's what I like doing most and NYDCS offers so many performance opportunities. We're literally on tour basically for the entirety of the summer, dancing in loads of different places, so I'm grateful to have those performing opportunities as well.”

Eira (NYDW) and Ross (NYDCS)

This year saw NYDCS’ Ross join Eira in NYDW’s company, where he worked alongside 21 members – some of the best young dancers across Wales, to produce an extension to renowned choreographer, Yukiko Matsui’s 25-minute piece - “The Night Is Darkest Just Before the Dawn” - which they took to the stage and wowed audiences at Sadler’s Wells East in London last week.

Jamie Jenkins, Producer and Head of Dance at National Youth Dance Wales, said: “It’s been a pleasure continuing our partnership with NYDCS this year and having Ross join the company during an exciting anniversary year for NYDW. We are proud to support the next generation of talented young dancers and look forward to seeing the partnership develop further.”

Anna Kenrick at National Youth Dance Company of Scotland added: “We look forward to the partnership continuing, offering more Scottish and Welsh dancers a range of exciting opportunities in the future.”

NYDCS member, Ross Hoey, will rejoin NYDW for two final performances at The Riverfront, Newport, on 30 and 31 October. The event will also premier a screening of a documentary following this year’s company as part of the celebrations marking 25 Years of National Youth Dance Wales.

NYDCS will also be performing in YDance’s EVOLUTION at this year’s Edinburgh Fringe. Running from 5-10th August, this international alliance of movement and culture showcases the talents of dancers from the both the UK and Estonia, and celebrates the 20th Anniversary of Project Y. 

To find out more about NYDW’s 25 Years celebrations, click here.

National Youth Orchestra Wales hit the road for a Summer of Music

NYOW 2024

The National Youth Orchestra of Wales (NYOW) residency in University of South Wales, Lampeter, is well underway with over 100 young musicians from across Wales working extremely hard to rehearse an energetic all-American concert programme before hitting the road this week.  

Led by internationally acclaimed conductor Kwamé Ryan, the programme will feature Bernstein's brilliant Symphonic Dances from West Side Story and Gershwin’s Porgy and Bess: A Symphonic Picture. 

The NYOW summer concert tour begins with a Dress Rehearsal on July 30th, at the Arts Hall, USW, in Lampeter, before they travel to the iconic St Davids Cathedral the next day for a performance at Fishguard Festival of Music.  

On the 1st of August, they’ll make their way to Hereford Cathedral for Three Choirs Festival, followed by a stint up North to Denbighshire's gothic St Asaph Cathedral, before making their way back down South for a finale concert at the prestigious Brangwyn Hall, Swansea, on Sunday 3rd August.  

National Youth Orchestra of Wales marks its 80th anniversary next year. Established in 1945, with its first performance in 1946, the Orchestra has the distinction of being the first national youth orchestra in the world.  

As with each NYAW ensemble, the Orchestra develops a first-class training experience into performances that are full of passion and works with esteemed, professional musicians to help deliver excellence. 

The performance is not to be missed – book tickets today!  
 

NYOW 2025 Repertoire:  
Mason Bates - Attack Decay Sustain Release - 5’  
Samuel Barber - Second Essay for Orchestra - 10’  
Gershwin - Porgy & Bess, Symphonic Picture - 24’  
Bernstein - Symphonic Dances, West Side Story - 23’  
Wang Jie - America the Beautiful - 6’   
 

For further information on the concerts and to book tickets, visit: nyaw.org.uk/whats-on 

NYAW Journey – From Choir Member to Trainee Producer

Almost 10 years ago, I was gearing up to attend my first National Youth Training Choir of Wales residential course in Monmouth. It was my first residential experience, and I was really nervous. So nervous that I almost didn’t go.  

Now 10 years later, 7 residentials under my belt, and better control of my nerves, I can proudly say that I am Trainee Producer for the National Youth Theatre of Wales. 

My first few years in the Training Choir were integral to the development of my skills as a chorister and a musician, and it was here that I learnt how different choral singing was to being a soloist. Suddenly, singing the loudest or highest wasn’t seen as ‘impressive’, and after a few rehearsals I learnt the meaning of a mysterious word – blending. This new skill would see me through countless choirs over the years and allow me to truly appreciate the music I was making with others. I found that this also had a positive effect whilst working with collaborative pianists, creating much more balance and companionship within performances.  

This residency was also the first time I had been away from home for a week, which came with its own challenges and lessons in responsibility. I would love to be able to say that I was sensible enough to get enough sleep each night, but the novelty of sharing a dorm with 4 others was far too exciting! In hindsight, I would recommend getting enough sleep as possible… 

Graduating to the National Youth Choir of Wales was a big step. I was still young, just 16, but I felt that I was being treated as a professional. Not only were the days longer and the music harder, but the expectations as young adults to be punctual and disciplined were heightened. However, along with this came a bigger sense of community and belonging. Working day in and day out to shape together a varied programme of styles and languages quickly became a privilege and helped create unbreakable bonds that have developed into life-long friendships and connections across the country. Now wherever I go, I will always see a familiar friendly face at every work project or event, which shows that NYAW really does produce and nurture the future talent of Wales! 

Megan Jones

During my time as a Choir member, I was fortunate to have worked with some incredible conductors – including Carlo Rizzi, Tim Rhys-Evans, and Nia Llewellyn Jones who was hugely inspirational to me, stepping into a role that I had typically seen occupied by men. Each have taught me things that have positively impacted the way I perform, but more importantly the way I think about music. Understanding text is now my priority with a new piece, regardless of language. Interestingly, English is often the hardest to decipher and needs the same amount of dedicated time and detail as any other language! 

Conductor Tim Rhys-Evans, who has been conducting the choir since my first year (and still going!) was a huge influence in my exploration of music as a career. I had never considered applying for conservatoires until he convinced me to give it a go at my 2019 NYCW Audition. I’ll forever be grateful to Tim for introducing me to the possibility of a career in the arts and opening the door to study a degree in Bachelor of Music in Vocal Studies at the Royal Welsh College of Music and Drama. 

“I feel immensely grateful to NYAW for providing me with these opportunities to grow and succeed”

The Choir also led me to take part in some amazing opportunities, such as performing numerous commissions, including Brian Hughe’s ‘Sorrows of the Somme’ written to commemorate the Welsh soldiers killed in the battle for Mametz Wood. Another favourite was performing at Principality Stadium to open a Wales v England Rugby match, where we won! Perhaps the Welsh team needs the support of the NYCW again?  

However, the highlight of my time in the Choir was the collaboration between the Choir and Orchestra back in 2018. We performed Bernstein’s Chichester Psalms in some incredible venues across Wales, including Hereford Cathedral, St David’s Cathedral and St David’s Hall, and still is the grandest piece of work I’ve ever had the pleasure of working on. It was also my first experience singing with an orchestra, which although deafening, was unlike anything I had ever experienced before! It gave me the chance to gain a new skill and prepared me to begin the more daunting task of solo work. 

When I left the Choir in 2023, it was hard to deal with the fact that I had lost something that had been a part for me for years. I was so lucky that the following summer I was invited back to perform in the 40th anniversary concert as part of the Alumni Choir – performing alongside friends, tutors, staff and a whole host of incredible individuals who have been impacted by the NYCW. 

In the same year, I also had the pleasure to volunteer and become course assistant for the Assemble project, yet another new experience for me to gain skills and explore a different career path in the arts. This project was a key stepping stone in gaining experience and confidence in my skills and ultimately gave me the final push I needed to apply for the Trainee Producer role. 

In my short time of being in the role, I’ve already experienced and learnt so much about the work that goes into producing the residencies, and my past experiences as a member have been invaluable to making decisions and reflecting on what changes I wanted to see as a member. In terms of skills, my confidence in my Welsh Language skills have improved significantly through the bi-lingual ethos of NYAW, as well as the notable improvement in my IT skills through the nature of my role. I’ve already experienced the joy of the 2025 audition tour, and I am counting down the days until I get to experience the residency from a Producer’s perspective. 

Reflecting on the last 10 years, I am incredibly proud of what I have achieved, and I feel immensely grateful to NYAW for providing me with these opportunities to grow and succeed. It’s clear that the remarkable opportunities and experiences I have been offered have led me to the role of Trainee Producer and they will help me continue in my professional development for years to come  

Here’s to the next 10 years, wherever they take me! 

Blog written by Megan Jones, NYAW Trainee Theatre Producer

Wales Dance Review – Response from National Youth Arts Wales

The Night is Darkest Just Before The Dawn 2024 production | National Youth Dance Wales | Choreographer: Yukiko Masui ©Sian Trenberth Photography

At National Youth Arts Wales (NYAW), we welcome this Wales Dance Review and recognise its vital importance in shaping the future of dance in Wales. We fully support its 11 Recommendations and are committed to working collaboratively with Arts Council Wales and other arts organisations throughout Wales to help make these recommendations a reality.

National Youth Dance Wales (NYDW) supports young people in every Welsh local authority to access dance, and our bursary scheme helps ensure that household income should never be a barrier for talented young dancers. Therefore, we particularly welcome the recommendation regarding training.

At a time of great difficulty for the dance community in Wales, this report and consequent funding boost from ACW are a huge opportunity to inject new energy into the dance sector. At National Youth Arts Wales, we will ensure that the interests of young people form part of the ongoing conversation.

In response to a question raised about us in the report, we are pleased to confirm that we actively recruit both dancers in professional training and those who are not, with a strong focus on identifying and developing young Wales-based talent from across the country.

We will continue consulting carefully with young people to ensure a broad range of dance styles are reflected and valued in our own provision. While we will continue to uphold strong technical training in Contemporary styles, these are not our sole focus. Our approach celebrates diversity in dance practice and opens pathways for wider participation and expression across the whole of Wales. With that in mind, we are shortly hosting a Boys Day of Dance in partnership with Ballet Cymru and National Dance Company of Wales; and later this year, we will launch a new programme of dance and music opportunities for young people in specific areas of multiple deprivation.

National Youth Dance Wales is proud to champion homegrown dance artists, from every region of Wales and from a wide range of backgrounds. We actively support and employ Wales-based practitioners and choreographers across our programmes. In recognition of the sector’s significant challenges at the moment, we have strengthened our own capacity by increasing the leadership in dance role to a full-time position, ensuring sustained support and strategic development for dance in Wales for future generations.

Jamie Jenkins

Head of Dance, National Youth Arts Wales

4th July 2025

National Youth Arts Wales responds to ACW’s review of traditional music in Wales

We welcome Arts Council Wales’s strategic review. It eloquently highlights the vitality and fragility of Welsh traditional music, while outlining a clear path for its sustainability and growth.

At National Youth Arts Wales (NYAW), we champion the importance of arts and creativity for all young people, boosting their wellbeing, communities and education. We are keen to play a role in sustaining and evolving Welsh traditional music through the education and training of young people.

Through our national youth ensembles and partnerships, we provide platforms for young musicians to explore Welsh music. Programmes like Strings Attached, Cor Skills and National Youth Jazz Wales show our commitment to inclusive, high-quality music education that celebrates Wales’s cultural heritage while encouraging creativity and innovation.

We are ready to continue our collaborations with partners such as Tŷ Cerdd, the Royal Welsh College of Music & Drama and National Music Service Wales to address gaps in provision and create accessible pathways for young people across Wales to engage with traditional music.

The Arts Council’s investment in the Gwerin programme is a vital step forward for the folk music sector, to empower young musicians to connect with and contribute to Welsh folk traditions. Folk music must remain a dynamic and integral part of our cultural identity, safeguarding our uniquely Welsh musical heritage for future generations.

Evan Dawson - Chief Executive,
National Youth Arts Wales

25 June 2025